I Ching: Hexagrams Series of the Wind

44. Kou / Coming to Meet 
		above  CH'IEN  THE CREATIVE, HEAVEN
		below  SUN    THE GENTLE, WIND
This hexagram indicates a situation in which the principle of darkness, after having been eliminated, furtively and unexpectedly obtrudes again from within and below. Of its own accord the female principle comes to meet the male. It is an unfavorable and dangerous situation, and we must understand and promptly prevent the possible consequences.
The hexagram is linked with the fifth month [June-July], because at the summer solstice the principle of darkness gradually becomes ascendant again. 
	THE JUDGMENT

	COMING TO MEET. The maiden is powerful.
	One should not marry such a maiden.
The rise of the inferior element is pictured here in the image of a bold girl who lightly surrenders herself and thus seizes power. This would not be possible if the strong and light-giving element had not in turn come halfway. The inferior thing seems so harmless and inviting that a man delights in it; it looks so small and weak that he imagines he may dally with it and come to no harm.
The inferior man rises only because the superior man does not regard him as dangerous and so lends him power. If he were resisted from the fist, he could never gain influence.
The time of COMING TO MEET is important in still another way. Although as a general rule the weak should not come to meet the strong, there are times when this has great significance. When heaven and earth come to meet each other, all creatures prosper; when a prince and his official come to meet each other, the world is put in order. It is necessary for elements predestined to be joined and mutually dependent to come to meet one another halfway. But the coming together must be free of dishonest ulterior motives, otherwise harm will result. 
	THE IMAGE

	Under heaven, wind:
	The image of COMING TO MEET.
	Thus does the prince act when disseminating his commands
	And proclaiming them to the four quarters of heaven.
The situation here resembles that in hexagram 20, Kuan, CONTEMPLATION (VIEW). In the latter the wind blows over the earth, here it blows under heaven; in both cases it goes everywhere. There the wind is on the earth and symbolizes the ruler taking note of the conditions in his kingdom; here the wind blows from above and symbolizes the influence exercised by the ruler through his commands. Heaven is far from the things of earth, but it sets them in motion by means of the wind. The ruler is far form his people, but he sets them in motion by means of his commands and decrees. 
	THE LINES

	 Six at the beginning means:
	 It must be checked with a brake of bronze.
 	 Perseverance brings good fortune.
	 If one lets it take its course, one experiences misfortune.
	 Even a lean pig has it in him to rage around.
If an inferior element has wormed its way in, it must be energetically checked at once. By consistently checking it, bad effects can be avoided. If it is allowed to take its course, misfortune is bound to result; the insignificance of that which creeps in should not be a temptation to underrate it. A pig that is still young and lean cannot rage around much, but after it has eaten its fill and become strong, its true nature comes out if it has not previously been curbed. 
	° Nine in the second place means:
	 There is a fish in the tank. No blame.
	 Does not further guests.
The inferior element is not overcome by violence but is kept under gentle control. Then nothing evil is to be feared. But care must be taken not to let it come in contact with those further away, because once free it would unfold its evil aspects unchecked. 
	Nine in the third place means: 
 	There is no skin on his thighs,
	And walking comes hard.
	If one is mindful of the danger,
	No great mistake is made.
There is a temptation to fall in with the evil element offering itself-a very dangerous situation. Fortunately circumstances prevent this; one would like to do it, but cannot. This leads to painful indecision in behavior. But if we gain clear insight into the danger of the situation, we shall at least avoid more serious mistakes. 
	Nine in the fourth place means:
	No fish in the tank.
	This leads to misfortune.
Insignificant people must be tolerated in order to keep them well disposed. Then we can make use of them if we should need them. If we become alienated from them and do not meet them halfway, they turn their backs on us and are not at our disposal when we need them. But this is our own fault. 
	° Nine in the fifth place means:
	  A melon covered with willow leaves.
	  Hidden lines.
	  Then it drops down to one from heaven.
The melon, like the fish, is a symbol of the principle of darkness. It is sweet but spoils easily and for this reason is protected with a cover of willow leaves. This is a situation in which a strong, superior, well-poised man tolerates and protects the inferiors in his charge. He has the firm lines of order an beauty within himself but he does not lay stress upon them. He does not bother his subordinates with outward show or tiresome admonitions but leaves them quite free, putting his trust in the transforming power of a strong and upright personality. And behold! Fate is favorable. His inferiors respond to his influence and fall to his disposition like ripe fruit. 
	Nine at the top means:
	He comes to meet with his horns.
	Humiliation. No blame.
When a man has withdrawn from the world, its tumult often becomes unbearable to him. There are many people who in a noble pride hold themselves aloof from all that is low and rebuff it brusquely wherever it comes to meet them. Such persons are reproached for being proud and distant, but since active duties no longer hold them to the world, this does not greatly matter. They know how to bear the dislike of the masses with composure.





32. Hêng / Duration 
		above  CHEN  THE AROUSING, THUNDER
		below  SUN   THE GENTLE, WIND
The strong trigram Chên is above, the weak trigram Sun below. This hexagram is the inverse of the preceding one. In the latter we have influence, here we have union as an enduring condition. The two images are thunder and wind, which are likewise constantly paired phenomena. The lower trigram indicates gentleness within; the upper, movement without.
In the sphere of social relationships, the hexagram represents the institution of marriage as the enduring union of the sexes. During courtship the young man subordinates himself to the girl, but in marriage, which is represented by the coming together of the eldest son and the eldest daughter, the husband is the directing and moving force outside, while the wife, inside, is gentle and submissive. 
	THE JUDGMENT

	DURATION. Success. No blame.
	Perseverance furthers.
	It furthers one to have somewhere to go.
Duration is a state whose movement is not worn down by hindrances. It is not a state of rest, for mere standstill is regression. Duration is rather the self- contained and therefore self-renewing movement of an organized, firmly integrated whole, taking place in accordance with immutable laws and beginning anew at every ending. The end is reached by an inward movement, by inhalation, systole, contraction, and this movement turns into a new beginning, in which the movement is directed outward, in exhalation, diastole, expansion.
Heavenly bodies exemplify duration. They move in their fixed orbits, and because of this their light-giving power endures. The seasons of the year follow a fixed law of change and transformation, hence can produce effects that endure.
So likewise the dedicated man embodies an enduring meaning in his way of life, and thereby the world is formed. In that which gives things their duration, we can come to understand the nature of all beings in heaven and on earth. 
	THE IMAGE

	Thunder and wind: the image of DURATION.
	Thus the superior man stands firm 
	And does not change has direction.
Thunder rolls, and the wind blows; both are examples of extreme mobility and so are seemingly the very opposite of duration, but the laws governing their appearance and subsidence, their coming and going, endure. In the same way the independence of the superior man is not based on rigidity and immobility of character. He always keeps abreast of the time and changes with it. What endures is the unswerving directive, the inner law of his being, which determines all his actions. 
	THE LINES

	Six at the beginning means:
	Seeking duration too hastily brings misfortune persistently.
	Nothing that would further.
Whatever endures can be created only gradually by long-continued work and careful reflection. In the same sense Lao-tse says: "If we wish to compress something, we must first let it fully expand." He who demands too much at once is acting precipitately, and because he attempts too much, he ends by succeeding in nothing. 
	° Nine in the second place means:
	 Remorse disappears.
The situation is abnormal. A man's force of character is greater than the available material power. Thus he might be afraid of allowing himself to attempt something beyond his strength. However, since it is the time of DURATION, it is possible for him to control his inner strength and so to avoid excess. Cause for remorse then disappears. 
	Nine in the third place means:
	He who does not give duration to his character
	Meets with disgrace.
	Persistent humiliation.
If a man remains at the mercy of moods of hope or fear aroused by the outer world, he loses his inner consistency of character. Such inconsistency invariably leads to distressing experiences. These humiliations often come from an unforeseen quarter. Such experiences are not merely effects produced by the external world, but logical consequences evoked by his own nature. 
	Nine in the fourth place means:
	No game in the field.
If we are in pursuit of game and want to get a shot at a quarry, we must set about it in the right way. A man who persists in stalking game in a place where there is none may wait forever without finding any. Persistence in search is not enough. What is not sought in the right way is not found. 
	Six in the fifth place means:
	Giving duration to one's character through perseverance.
	This is good fortune for a woman, misfortune for a man.
A woman should follow a man her whole life long, but a man should at all times hold to what is his duty at the given moment. Should he persistently seek to conform to the woman, it would be a mistake for him. Accordingly it is altogether right for a woman to hold conservatively to tradition, but a man must always be flexible and adaptable and allow himself to be guided solely by what his duty requires 
	Six at the top means:
	Restlessness as an enduring condition brings misfortune.
There are people who live in a state of perpetual hurry without ever attaining inner composture. Restlessness not only prevents all thoroughness but actually becomes a danger if it is dominant in places of authority.





48. Ching / The Well 
		above  K'AN  THE ABYSMAL, WATER
		below SUN   THE GENTLE, WIND, WOOD
Wood is below, water above. The wood goes down into the earth to bring up water. The image derives from the pole-and-bucket well of ancient China. The wood represents not the buckets, which in ancient times were made of clay, but rather the wooden poles by which the water is hauled up from the well. The image also refers to the world of plants, which lift water out of the earth by means of their fibers.
The well from which water is drawn conveys the further idea of an inexhaustible dispensing of nourishment. 
	THE JUDGMENT

	THE WELL. The town may be changed,
	But the well cannot be changed.
	It neither decreases nor increases.
	They come and go and draw from the well.
	If one gets down almost to the water
	And the rope does not go all the way,
	Or the jug breaks, it brings misfortune.
In ancient China the capital cities were sometimes moved, partly for the sake of more favorable location, partly because of a change in dynasties. The style of architecture changed in the course of centuries, but the shape of the well has remained the same from ancient times to this day. Thus the well is the symbol of that social structure which, evolved by mankind in meeting its most primitive needs, is independent of all political forms. Political structures change, as do nations, but the life of man with its needs remains eternally the same-this cannot be changed. Life is also inexhaustible. It grows neither less not more; it exists for one and for all. The generations come and go, and all enjoy life in its inexhaustible abundance.
However, there are two prerequisites for a satisfactory political or social organization of mankind. We must go down to the very foundations of life. For any merely superficial ordering of life that leaves its deepest needs unsatisfied is as ineffectual as if no attempt at order had ever been made. Carelessness by which the jug is broken-is also disastrous. If for instance the military defense of a state is carried to such excess that it provokes wars by which the power of the state is annihilated, this is a breaking of the jug.
This hexagram applies also to the individual. However men may differ in disposition and in education, the foundations of human nature are the same in everyone. And every human being can draw in the course of his education from the inexhaustible wellspring of the divine in man's nature. But here likewise tow dangers threaten: a man may fail in his education to penetrate to the real roots of humanity and remain fixed in convention-a partial education of this sort is as bad as none -- or he may suddenly collapse and neglect his self-development. 
	THE IMAGE

	Water over wood: the image of THE WELL.
	Thus the superior man encourages the people at their work,
	And exhorts them to help one another.
The trigram Sun, wood, is below, and the trigram K'an, water, is above it. Wood sucks water upward. Just as wood as an organism imitates the action of the well, which benefits all parts of the plant, the superior man organizes human society, so that, as in a plant organism, its parts co-operate for the benefit of the whole. 
	THE LINES

	Six at the beginning means:
	One does not drink the mud of the well.
	No animals come to an old well.
If a man wanders around in swampy lowlands, his life is submerged in mud. Such a man loses all significance for mankind. He who throws himself away is no longer sought out by others. In the end no one troubles about him any more. 
	Nine in the second place means:
	At the well hole one shoots fishes.
	The jug is broken and leaks.
The water itself is clear, but it is not being used. Thus the well is a place where only fish will stay, and whoever comes to it, comes only to catch fish. But the jug is broken, so that the fish cannot be kept in it.
This describes the situation of a person who possesses good qualities but neglects them. No one bothers about him. As a result he deteriorates in mind. He associates with inferior men and can no longer accomplish anything worth while. 
	Nine in the third place means:
	The well is cleaned, but no one drinks from it.
	This is my heart's sorrow,
	For one might draw from it.
	If the king were clear-minded,
	Good fortune might be enjoyed in common.
An able man is available. He is like a purified well whose water is drinkable. But no use is made of him. This is the sorrow of those who know him. One wishes that the prince might learn about it; this would be good fortune for all concerned. 
	Six in the fourth place means:
	The well is being lined. No blame.
True, if a well is being lined with sone, it cannot be used while the work is going on. But the work is not in vain; the result is that the water stays clear. In life also there are times when a man must put himself in order. During such a time he can do nothing for others, but his work is nonetheless valuable, because by enhancing his powers and abilities through inner development, he can accomplish all the more later on. 
	° Nine in the fifth place means:
	  In the well there is a clear, cold spring
	  From which one can drink.
A well that is fed by a spring of living water is a good well. A man who has virtues like a well of this sort is born to be a leader and savior of men, for he has the water of life. Nevertheless, the character for "good fortune" is left out here. The all-important thing about a well is that its water be drawn. The best water is only a potentiality for refreshment as long as it is not brought up. So too with leaders of mankind: it is all-important that one should drink from the spring of their words and translate them into life. 
	Six at the top means:
	One draws from the well
	Without hindrance.
	It is dependable.
	Supreme good fortune.
The well is there fore all. No one is forbidden to take water from it. No matter how many come, all find what they need, for the well is dependable. It has a spring and never runs dry. Therefore it is a great blessing to the whole land. The same is true of the really great man, whose inner wealth is inexhaustible; the more that people draw from him, the greater his wealth becomes.





18. Ku / Work on what has been spoiled [ Decay ] 
		above  Kên KEEPING STILL, MOUNTAIN
		below Sun THE GENTLE, WIND
The Chinese character ku represents a bowl in whose contents worms are breeding. This means decay. It is come about because the gentle indifference in the lower trigram has come together with the rigid inertia of the upper, and the result is stagnation. Since this implies guilt, the conditions embody a demand for removal of the cause. Hence the meaning of the hexagram is not simply "what has been spoiled" but "work on what has been spoiled". 
	THE JUDGMENT

	WORK ON WHAT HAS BEEN SPOILED
	Has supreme success.
	It furthers one to cross the great water.
	Before the starting point, three days.
	After the starting point, three days.
What has been spoiled through man's fault can be made good again through man's work. It is not immutable fate, as in the time of STANDSTILL, that has caused the state of corruption, but rather the abuse of human freedom. Work toward improving conditions promises well, because it accords the possibilities of the time. We must not recoil from work and danger- symbolized by crossing of the great water -- but must take hold energetically. Success depends, however, on proper deliberation. This is expressed by the lines, "Before the starting point, three days. After the starting point, three days." We must first know the cause of corruption before we can do away with them; hence it is necessary to be cautious during the time before the start. Then we must see to it that the new way is safely entered upon, so that a relapse may be avoided; therefore we must pay attention to the time after the start. Decisiveness and energy must take the place of inertia and indifference that have led to decay, in order that the ending may be followed by a new beginning. 
	THE IMAGE

	The wind blows low on the mountain:
	The image of DECAY.
	Thus the superior man stirs up the people
	And strengthens their spirit.
When the wind blow s slow on the mountain, it is thrown back and spoils the vegetation. This contains a challenge to improvement. It is the same with debasing attitudes and fashions; they corrupt human society. His methods likewise must be derived from the two trigrams, but in such a way that their effects unfold in orderly sequence. The superior must first remove stagnation by stirring up public opinion, as the wind stirs up everything, and must strengthen and tranquilize the character of the people, as the mountain gives tranquillity and nourishment to all that grows in its vicinity. 
	THE LINES

	Six in the beginning means:
	Setting right what has been spoiled by the father.
	If there is a son, 
	No blame rests upon the departed father. 
	Danger. In the end good fortune.
Rigid adherence to tradition has resulted in decay. But the decay has not yet penetrated deeply and so can still be easily remedied. It is as if a son were compensated for the decay his father allowed to creep in. Then no blame attaches to the father. However, one must not overlook the danger or take the matter too lightly. Only if one is conscious of the danger connected with every reform will everything go well in the end. 
	Nine in the second place means:
	Setting right what has been spoiled by the mother.
	One must not be too persevering.
This refers to mistakes that as a result of weakness have brought about decay- hence the symbol, "what has been spoiled by the mother. " In setting things right in such a case, a certain gentle consideration is called for. In order not to wound, one should not attempt to proceed too drastically. 
	Nine in the third place means:
	Setting right what has been spoiled by the father.
	There will be a little remorse. No great blame.
This describes a man who proceeds a little too energetically in righting the mistakes of the past. Now and then, as a result, minor discourse and annoyances will surely develop. But too much energy is better than too little. Therefore, although he may at times have slight cause for regret, he remains free of any serious blame. 
	Six in the fourth place means:
	Tolerating what has been spoiled by the father.
	In continuing one sees humiliation.
This shows the situation of someone too weak to take measures against decay that has its roots in the past and is just beginning to manifest itself. It is allowed to run its course. If this continues, humiliation will result. 
	° Six in the fifth place means:
	  Setting right what has been spoiled by the father.
	  One meets with praise.
An individual is confronted with corruption originating from neglect in former times. He lacks the power to ward it off alone, but with able helpers he can at least bring about a thorough reform, if he cannot create a new beginning, and this also is praiseworthy. 
	Nine at the top means:
	He does not serve kings and princes,
	Sets himself higher goals.
Not every man has an obligation to mingle in the affairs of the world. There are some who are developed to such a degree that they are justified in letting the world go its own way and refusing to enter public life with a view to reforming it. But this does not imply a right to remain idle or to sit back and merely criticize. Such withdrawal is justified only when we strive to realize in ourselves the higher aims of mankind. For although the sage remains distant from the turmoil of daily life, he creates incomparable human values for the future.





46. Shêng / Pushing Upward 
		above  K'UN  THE RECEPTIVE, EARTH
		below  SUN  THE GENTLE, WIND, WOOD
The lower trigram, Sun, represents wood, and the upper, K'un, means the earth. Linked with this is the idea that wood in the earth grows upward. In contrast to the meaning of Chin, PROGRESS (35), this pushing upward is associated with effort, just as a plant needs energy for pushing upward through the earth. That is why this hexagram, although it is connected with success, is associated with effort of the will. In PROGRESS the emphasis is on expansion; PUSHING UPWARD indicates rather a vertical ascent-direct rise from obscurity and lowliness to power and influence. 
	THE JUDGMENT

	PUSHING UPWARD has supreme success.
	One must not see the great man.
	Fear not.
	Departure toward the south
	Brings good fortune.
The pushing upward of the good elements encounters no obstruction and is therefore accompanied by great success. The pushing upward is made possible not by violence but by modesty and adaptability. Since the individual is borne along by the propitiousness of the time, he advances. He must go to see authoritative people. He need not be afraid to do this, because success is assured. But he must set to work, for activity (this is the meaning of "the south") brings good fortune. 
	THE IMAGE

	Within the earth, wood grows:
	The image of PUSHING UPWARD.
	Thus the superior man of devoted character
	Heaps up small thing
	In order to achieve something high and great.
Adapting itself to obstacles and bending around them, wood in the earth grows upward without haste and without rest. Thus too the superior man is devoted in character and never pauses in his progress. 
	THE LINES

	 Six at the beginning means:
	 Pushing upward that meets with confidence
	 Brings great good fortune.
This situation at the beginning of ascent. Just as wood draws strength for its upward push from the root, which in itself is in the lowest place, so the power to rise comes from this low and obscure station. But there is a spiritual affinity with the rulers above, and this solidarity creates the confidence needed to accomplish something. 
	Nine in the second place means:
	If one is sincere,
	It furthers one to bring even a small offering.
	No blame.
Here a strong man is presupposed. It is true that he does not fit in with his environment, inasmuch as he is too brusque and pays too little attention to form. But as he is upright in character, he meets with response, and his lack of outward form does no harm. Here uprightness is the outcome of sound qualities of character, whereas in the corresponding line of the preceding hexagram it is the result of innate humility. 
	Nine in the third place means:
	One pushes upward into an empty city.
All obstructions that generally block progress fall away here. Things proceed with remarkable ease. Unhesitatingly one follows this road, in order to profit by one's success. Seen from without, everything seems to be in the best of order. However, no promise of good fortune is added. It is a question how long such unobstructed success can last. But it is wise not to yield to such misgivings, because they only inhibit one's power. Instead, the point is to profit by the propitiousness of time. 
	Six in the fourth place means:
	The king offers him Mount Ch'i.
	Good fortune. No blame.
Mount Ch'i is in the western China, the homeland of King Wên, whose son, the Duke of Chou, added the words to the individual lines. The pronouncement takes us back to a time when the Chou dynasty was coming into power. At that time King Wên introduced his illustrious helpers to the god of his native mountain, and they received their places in the halls of the ancestors by the side of the ruler. This indicates a stage in which pushing upward attains its goal. One acquires fame in the sight of gods and men, is received into the circle of those who foster the spiritual life of the nation, and thereby attains a significance that endures beyond time. 
	° Six in the fifth place means:
	  Perseverance brings good fortune.
	  One pushes upward by steps.
When a man is advancing farther and farther, it is important for him not to become intoxicated by success. Precisely when he experiences great success it is necessary to remain sober and not to try to skip any stages; he must go on slowly, step by step, as though hesitant. Only such calm, steady progress, overleaping nothing, leads to the goal. 
	Six at the top means:
	Pushing upward in darkness.
	It furthers one
	To be unremittingly persevering.
He who pushes upward blindly deludes himself. He knows only advance, not retreat. But this means exhaustion. In such a case it is important to be constantly mindful that one must be conscientious and consistent and must remain so. Only thus does one become free of blind impulse, which is always harmful.





57. Sun / The Gentle (The Penetrating, Wind) 
		above  SUN THE GENTLE, WIND, WOOD
		below  SUN THE GENTLE, WIND, WOOD
Sun is one of the eight doubled trigrams. It is the eldest daughter and symbolizes wind or wood; it has for its attribute gentleness, which nonetheless penetrates like the wind or like growing wood with its roots.
The dark principle, in itself rigid and immovable, is dissolved by the penetrating light principle, to which it subordinates itself in gentleness. In nature, it is the wind that disperses the gathered clouds, leaving the sky clear and serene. In human life it is penetrating clarity of judgment that thwarts all dark hidden motives. In the life of the community it is the powerful influence of a great personality that uncovers and breaks up those intrigues which shun the light of day. 
	THE JUDGMENT

	THE GENTLE. Success through what is small.
	It furthers one to have somewhere to go.
	It furthers one to see the great man.
Penetration produces gradual and inconspicuous effects. It should be effected not by an act of violation but by influence that never lapses. Results of this kind are less striking to the eye than those won by surprise attack, but they are more enduring and more complete. If one would produce such effects, one must have a clearly defined goal, for only when the penetrating influence works always in the same direction can the object be attained. Small strength can achieve its purpose only by subordinating itself to an eminent man who is capable of creating order. 
	THE IMAGE

	Winds following one upon the other:
	The image of THE GENTLY PENETRATING.
	Thus the superior man 
	Spreads his commands abroad
	And carries out his undertakings.
The penetrating quality of the wind depends upon its ceaselessness. This is what makes it so powerful; time is its instrument. In the same way the ruler's thought should penetrate the soul of the people. This too requires a lasting influence brought about by enlightenment and command. Only when the command has been assimilated by the people is action in accordance with it possible. Action without preparation of the ground only frightens and repels. 
	THE LINES

	 Six at the beginning means:
	 In advancing and in retreating,
	 The perseverance of a warrior furthers.
In born gentleness is often carried to the point of indecisiveness. One does not feel strong enough to advance resolutely. A thousand doubts crop up; one is, however, not minded to withdraw but drifts indecisively to and fro. In such a situation, a military decisiveness is the proper thing, so that one resolutely does what order demands. Resolute discipline is far better than irresolute license. 
	Nine in the second place means:
	Penetration under the bed.
	Priests and magicians are used in great number.
	Good fortune. No blame.
At times one has to deal with hidden enemies, intangible influences that slink into dark corners and from this hiding affect people by suggestion. In instances like this, it is necessary to trace these things back to the most secret recesses, in order to determine the nature of the influences to be dealt with. This is the task of the priests; removing the influences is the task of the magicians. The very anonymity of such plotting requires an especially vigorous and indefatigable effort, but this is well worth while. For when such elusive influences are brought into the light and branded, they lose their power over people. 
	Nine in the third place means:
	Repeated penetration. Humiliation.
Penetrating reflection must not be pushed too far, lest it cripple the power of decision. After a matter has been thoroughly pondered, it is essential to form a decision and to act. Repeated deliberation brings fresh doubts and scruples, and thereby humiliation, because one shows oneself unable to act. 
	 Six in the fourth place means:
	 Remorse vanishes.
	 During the hunt
	 Three kinds of game are caught.
When a responsible position and accumulated experience lead one to combine innate modesty with energetic action, great success is assured. The three kinds of animals referred to served for offerings to the gods, for feasting guests, and for everyday consumption. When the catch answered all three purposes, the hunt was considered especially successful. 
	° Nine in the fifth place means:
	  Perseverance brings good fortune.
	  Remorse vanishes.
	  Nothing that does not further.
	  No beginning, but an end.
	  Before the change, three days.
	  After the change, three days.
	  Good fortune.
In the situation described in Ku, WORK ON WHAT HAS BEEN SPOILED (18), an entirely new point of departure must be set up, whereas here it is only a question of reforms. The beginning has not been good, but the moment has been reached when a new direction can be taken. Change and improvement are called for. Such steps must be undertaken with steadfastness, that is, with a firm and correct attitude of mind; then they will succeed, and remorse will disappear. But it must be remembered that such improvements require careful consideration. Before a change is made, it must be pondered over again and again. After the change is made, it is necessary to note carefully for some time after how the improvements bear the test of actuality. Such careful work is accompanied by good fortune. 
	Nine at the top means:
	Penetration under the bed.
	He loses his property and his ax.
	Perseverance brings misfortune.
A man's understanding is sufficiently penetrating. He follows up injurious influences into the most secret corners. But he no longer has the strength to combat them decisively. In this case any attempt to penetrate into the personal domain of darkness would only bring harm.





50. Ting / The Caldron 
		above  LI  THE CLINGING, FIRE
		below  SUN THE GENTLE, WIND, WOOD
The six lines construct the image of Ting, THE CALDRON; at the bottom are the legs, over them the belly, then come the ears (handles), and at the top the carrying rings. At the same time, the image suggests the idea of nourishment. The ting, cast of bronze, was the vessel that held the cooked viands in the temple of the ancestors and at banquets. The heads of the family served the food from the ting into the bowls of the guests. THE WELL (48) likewise has the secondary meaning of giving nourishment, but rather more in relation to the people. The ting, as a utensil pertaining to a refined civilization, suggests the fostering and nourishing of able men, which redounded to the benefit of the state.
This hexagram and THE WELL are the only two in the Book of Changes that represent concrete, men-made objects. Yet here too the thought has its abstract connotation.
Sun, below, is wood and wind; Li, above, is flame. Thus together they stand for the flame kindled by wood and wind, which likewise suggests the idea of preparing food. 
	THE JUDGMENT

	THE CALDRON. Supreme good fortune.
	Success.
While THE WELL relates to the social foundation of our life, and this foundation is likened to the water that serves to nourish growing wood, the present hexagram refers to the cultural superstructure of society. Here it is the wood that serves as nourishment for the flame, the spirit. All that is visible must grow beyond itself, extend into the realm of the invisible. Thereby it receives its true consecration and clarity and takes firm root in the cosmic order.
Here we see civilization as it reaches its culmination in religion. The ting serves in offering sacrifice to God. The highest earthly values must be sacrificed to the divine. But the truly divine does not manifest itself apart from man. The supreme revelation of God appears in prophets and holy men. To venerate them is true veneration of God. The will of God, as revealed through them, should be accepted in humility; this brings inner enlightenment and true understanding of the world, and this leads to great good fortune and success. 
	THE IMAGE

	Fire over wood:
	The image of THE CALDRON.
	Thus the superior man consolidates his fate 
	By making his position correct.
The fate of fire depends on wood; as long as there is wood below, the fire burns above. It is the same in human life; there is in man likewise a fate that lends power to his life. And if he succeeds in assigning the right place to life and to fate, thus bringing the two into harmony, he puts his fate on a firm footing. These words contain hints about fostering of life as handed on by oral tradition in the secret teachings of Chinese yoga. 
	THE LINES

	Six at the beginning means:
	A ting with legs upturned.
	Furthers removal of stagnating stuff.
	One takes a concubine for the sake of her son.
	No blame.
If a ting is turned upside down before being used, no harm is done -- on the contrary, this clears it of refuse. A concubine's position is lowly, but because she has a son she comes to be honored.
These two metaphors express the idea that in a highly developed civilization, such as that indicated by this hexagram, every person of good will can in some way or other succeed. No matter how lowly he may be, provided he is ready to purify himself, he is accepted. He attains a station in which he can prove himself fruitful in accomplishment, and as a result he gains recognition. 
	Nine in the second place means:
	There is food in the ting.
	My comrades are envious,
	But they cannot harm me.
	Good fortune.
In a period of advanced culture, it is of the greatest importance that one should achieve something significant. If a man concentrates on such real undertakings, he may indeed experience envy and disfavor, but that is not dangerous. The more he limits himself to his actual achievements, the less harm the envious inflict on him. 
	Nine in the third place means:
	The handle of the ting is altered.
	One is impeded in his way of life.
	The fat of the pheasant is not eaten.
	Once rain falls, remorse is spent.
	Good fortune comes in the end.
The handle is the means for lifting up the ting. If the handle is altered, the ting cannot be lifted up and used, and, sad to say, the delicious food in it, such as pheasant fat, cannot be eaten by anyone.
This describes a man who, in a highly evolved civilization, finds himself in a place where no one notices or recognizes him. This is a severe block to his effectiveness. All of his good qualities and gifts of mind thus needlessly go to waste. But if he will only see to it that he is possessed of something truly spiritual, the time is bound to come, sooner or later, when the difficulties will be resolved and all will go well. The fall of rain symbolizes here, as in other instances, release of tension. 
	Nine in the fourth place means:
	The legs of the ting are broken.
	The prince's meal is spilled
	And his person is soiled.
	Misfortune.
A man has a difficult and responsible task to which he is not adequate. Moreover, he does not devote himself to it with all his strength but goes about with inferior people; therefore the execution of the work fails. In this way he also incurs personal opprobrium.
Confucius says about this line: "Weak character coupled with honored place, meager knowledge with large plans, limited powers with heavy responsibility, will seldom escape disaster." 
	° Six in the fifth place means:
	  The ting has yellow handles, golden carrying rings.
	  Perseverance furthers.
Here we have, in a ruling position, a man who is approachable and modest in nature. As a result of this attitude he succeeds in finding strong and able helpers who complement and aid him in his work. Having achieved this attitude, which requires constant self-abnegation, it is important for him to hold to it and not to let himself be led astray. 
	° Nine at the top means:
	The ting has rings of jade.
	Great good fortune.
	Nothing that would not act to further.
In the preceding line the carrying rings are described as golden, to denote their strength; here they are said to be of jade. Jade is notable for its combination of hardness with soft luster. This counsel, in relation to the man who is open to it, works greatly t his advantage. Here the counsel is described in relation to the sage who imparts it. In imparting it, he will be mild and pure, like precious jade. Thus the work finds favor in the eyes of the Deity, who dispenses great good fortune, and becomes pleasing to men, wherefore all goes well.





28. Ta Kuo / Preponderance of the Great 
		above  TUI  THE JOYOUS, LAKE
		below  SUN THE GENTLE, WIND, WOOD
This hexagram consists of four strong lines inside and two weak lines outside. When the strong are outside and the weak inside, all is well and there is nothing out of balance, nothing extraordinary in the situation. Here, however, the opposite is the case. The hexagram represents a beam that is thick and heavy in the middle but too weak at the ends. This is a condition that cannot last; it must be changed, must pass, or misfortune will result. 
	THE JUDGMENT

	PREPONDERANCE OF THE GREAT.
	The ridgepole sags to the breaking point.
	It furthers one to have somewhere to go.
	Success.
The weight of the great is excessive. The load is too heavy for the strength of the supports. The ridgepole on which the whole roof rests, sags to the breaking point, because its supporting ends are too weak for the load they bear. It is an exceptional time and situation; therefore extraordinary measures are demanded. It is necessary to find a way of transition as quickly as possible, and to take action. This promises success. For although the strong element is in excess, it is in the middle, that is, at the center of gravity, so that a revolution is not to be feared. Nothing is to be achieved by forcible measures. The problem must be solved by gently penetration to the meaning of the situation (as is suggested by the attribute of the inner trigram, Sun); then the change-over to other conditions will be successful. It demands real superiority; therefore the time when the great preponderates is a momentous time. 
	THE IMAGE

	The lake rises above the trees:
	The image of PREPONDERANCE OF THE GREAT.
	Thus the superior man, when he stands alone,
	Is unconcerned,
	And if he has to renounce the world,
	He is undaunted.
Extraordinary times when the great preponderates are like flood times when the lake rises over the treetops. But such conditions are temporary. The two trigrams indicate the attitude proper to such exceptional times: the symbol of the trigram Sun is the tree, which stands firm even though it stands alone, and the attribute of Tui is joyousness, which remains undaunted even if it must renounce the world. 
	THE LINES

	Six at the beginning means:
	To spread white rushes underneath.
	No blame.
When a man wishes to undertake an enterprise in extraordinary times, he must be extraordinarily cautious, just as when setting a heavy thing down on the floor, one takes care to put rushes under it, so that nothing will break. This caution, though it may seem exaggerated, is not a mistake. Exceptional enterprises cannot succeed unless utmost caution is observed in their beginnings and in the laying of their foundations. 
	° Nine in the second place means:
	 A dry poplar sprouts at the root.
	 An older man takes a young wife.
	 Everything furthers.
Wood is near water; hence the image of an old poplar sprouting at the root. This means an extraordinary situation arises when an older man marries a young girl who suits him. Despite the unusualness of the situation, all goes well.
From the point of view of politics, the meaning is that in exceptional times one does well to join with the lowly, for this affords a possibility of renewal. 
	Nine in the third place means:
	The ridgepole sags to the breaking point.
	Misfortune.
This indicates a type of man who in times of preponderance of the great insists on pushing ahead. He accepts no advice from others, and therefore they in turn are not willing to lend him support. Because of this the burden grows, until the structure of things bends or breaks. Plunging willfully ahead in times of danger only hastens the catastrophe. 
	° Nine in the fourth place means:
	 The ridgepole is braced. Good fortune.
	 If there are ulterior motives, it is humiliating.
Through friendly relations with people of lower rank, a responsible man succeeds in becoming master of the situation. But if, instead of working for the rescue of the whole, he were to misuse his connections to obtain personal power and success, it would lead to humiliation. 
	Nine in the fifth place means:
	A withered poplar puts forth flowers.
	An older woman takes a husband. 
	No blame. No praise.
A withered poplar that flowers exhausts its energies thereby and only hastens its end. An older woman may marry once more, but no renewal takes place. Everything remains barren. Thus, though all the amenities are observed, the net result is only the anomaly of the situation.
Applied to politics, the metaphor means that if in times of insecurity we give up alliance with those below us and keep up only the relationships we have with people of higher rank, an unstable situation is created. 
	Six at the top means:
	One must go through the water.
	It goes over one's head.
	Misfortune. No blame.
Here is a situation in which the unusual has reached a climax. One is courageous and wishes to accomplish one's task, no matter what happens. This leads into danger. The water rises over one's head. This is the misfortune. But one incurs no blame in giving up one's life that the good and the right may prevail. There are things that are more important than life.