I Ching: Hexagrams Series of the Mountain
33. Tun / Retreat
above CH'IEN THE CREATIVE, HEAVEN
below KÊN KEEPING STILL, MOUNTAIN
The power of the dark is ascending. The light retreats to security, so that the
dark cannot encroach upon it. This retreat is a matter not of man's will but of
natural law. Therefore in this case withdrawal is proper; it is the correct way
to behave in order not to exhaust one's forces.
In the calendar this hexagram is linked with the sixth month (July-August),
in which the forces of winter are already showing their influence.
THE JUDGMENT
RETREAT. Success.
In what is small, perseverance furthers.
Conditions are such that the hostile forces favored by the time are advancing.
In this case retreat is the right course, and it is not to be confused with flight.
Flight means saving oneself under any circumstances, whereas retreat is a
sign of strength. We must be careful not to miss the right moment while we
are in full possession of power and position. Then we shall be able to
interpret the signs of the time before it is too late and to prepare for
provisional retreat instead of being drawn into a desperate life-and-death
struggle. Thus we do not simple abandon the field to the opponent; we make
it difficult for him to advance by showing perseverance in single acts of
resistance. In this way we prepare, while retreating, for the counter-
movement. Understanding the laws of a constructive retreat of this sort is
not easy. The meaning that lies hidden in such a time is important.
THE IMAGE
Mountain under heaven: the image of RETREAT.
Thus the superior man keeps the inferior man at a distance,
Not angrily but with reserve.
The mountain rises up under heaven, but owing to its nature it finally comes
to a stop. Heaven on the other hand retreats upward before it into the
distance and remains out of reach. This symbolizes the behavior of the
superior man toward a climbing inferior; he retreats into his own thoughts as
the inferior man comes forward. He does not hate him, for hatred is a form
of subjective involvement by which we are bound to the hated object. The
superior man shows strength (heaven) in that he brings the inferior man to a
standstill (mountain) by his dignified reserve.
THE LINES
°Six at the beginning means:
At the tail in retreat. This is dangerous.
One must not wish to undertake anything.
Since the hexagram is the picture of something that is retreating, the lowest
line represents the tail and the top line the head. In a retreat it is
advantageous to be at the front. Here one is at the back, in immediate contact
with the pursuing enemy. This is dangerous, and under such circumstances
it is not advisable to undertake anything. Keeping still is the easiest way of
escaping from the threatening danger.
Six in the second place means:
he holds him fast with yellow oxhide.
No one can tear him loose.
Yellow is the color of the middle. It indicates that which is correct and in line
with duty. Oxhide is strong and not to be torn.
While the superior men retreat and the inferior press after them, the
inferior man represented here holds on so firmly and tightly to the superior
man that the latter cannot shake him off. And because he is in quest of what
is right an so strong in purpose, he reaches his goal. Thus the line confirms
what is said in the Judgment: "In what is small" --here equivalent to "in the
inferior man" -- "perseverance furthers."
Nine in the third place means:
A halted retreat
Is nerve-wracking and dangerous.
To retain people as men- and maidservants
Brings good fortune.
When it is time to retreat it is both unpleasant and dangerous to be held back,
because then one no longer has freedom of action. In such a case the only
expedient is to take into one's service, so to speak, those who refuse to let one
go, so that one may at least keep one's initiative and not fall helplessly under
their domination. But even with this expedient the situation is far from
satisfactory -- for what can one hope to accomplish with such servants?
Nine in the fourth place means:
Voluntary retreat brings good fortune to the superior man
And downfall to the inferior man.
In retreating the superior man is intent on taking his departure willingly and
in all friendliness. He easily adjusts his mind to retreat, because in retreating
he does not have to do violence to his convictions. The only one who suffers
is the inferior man from whom he retreats, who will degenerate when
deprived of the guidance of the superior man.
° Nine in the fifth place means:
Friendly retreat. Perseverance brings good fortune.
It is the business of the superior man to recognize in time that the moment
for retreat has come. If the right moment is chosen, the retreat can be carried
out within the forms of perfect friendliness, without the necessity of
disagreeable discussions. Yet, for all the observance of amenities, absolute
firmness of decision is necessary if one is not to be led astray by irrelevant
considerations.
Nine at the top means:
Cheerful retreat. Everything serves to further.
The situation is unequivocal. Inner detachment has become an established
fact, and we are at liberty to depart. When one sees the way ahead thus
clearly, free of all doubt, a cheerful mood sets in, and one chooses what is
right without further thought. Such a clear path ahead always leads to the
good.
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62. Hsiao Kuo / Preponderance of the Small
above CHÊN THE AROUSING, THUNDER
below KÊN KEEPING STILL, MOUNTAIN
While in the hexagram Ta Kuo,
PREPONDERANCE OF THE GREAT (28), the
strong lines preponderate and are within, inclosed between weak lines at the
top and bottom, the present hexagram has weak lines preponderating, though
here again they are on the outside, the strong lines being within. This indeed
is the basis of the exceptional situation indicated by the hexagram. When
strong lines are outside, we have the hexagram I,
PROVIDING NOURISHMENT (27),
or Chung Fu, INNER TRUTH, (61); neither represents
and exceptional state. When strong elements within preponderate, they
necessarily enforce their will. This creates struggle and exceptional conditions
in general. But in the present hexagram it is the weak element that perforce
must mediate with the outside world. If a man occupies a position of
authority for which he is by nature really inadequate, extraordinary prudence
is necessary.
THE JUDGMENT
PREPONDERANCE OF THE SMALL. Success.
Perseverance furthers.
Small things may be done; great things should not be done.
The flying bird brings the message:
It is not well to strive upward,
It is well to remain below.
Great good fortune.
Exceptional modesty and conscientiousness are sure to be rewarded with
success; however, if a man is not to throw himself away, it is important that
they should not become empty form and subservience but be combined
always with a correct dignity in personal behavior. We must understand the
demands of the time in order to find the necessary offset for its deficiencies
and damages. In any event we must not count on great success, since the
requisite strength is lacking. In this lies the importance of the message that
one should not strive after lofty things but hold to lowly things.
The structure of the hexagram gives rise to the idea that this message is
brought by a bird.
In Ta Kuo, PREPONDERANCE OF THE GREAT (28),
the four strong, heavy lines within, supported only by two weak lines without,
give the image of a sagging ridgepole. Here the supporting weak lines are
both outside and preponderant; this gives the image of a soaring bird. But a
bird should not try to surpass itself and fly into the sun; it should descend to
the earth, where its nest is. In this way it gives the message conveyed by the
hexagram.
THE IMAGE
Thunder on the mountain:
The image of PREPONDERANCE OF THE SMALL.
Thus in his conduct the superior man gives preponderance to reverence.
In bereavement he gives preponderance to grief.
In his expenditures he gives preponderance to thrift.
Thunder on the mountain is different from thunder on the plain. In the
mountains, thunder seems much nearer; outside the mountains, it is less
audible than the thunder of an ordinary storm. Thus the superior man
derives an imperative from this image: he must always fix his eyes more
closely and more directly on duty than does the ordinary man, even though
this might make his behavior seem petty to the outside world. He is
exceptionally conscientious in his actions. In bereavement emotion means
more to him than ceremoniousness. In all his personal expenditures he is
extremely simple and unpretentious. In comparison with the man of the
masses, all this makes him stand out as exceptional. But the essential
significance of his attitude lies in the fact that in external matters he is on the
side of the lowly.
THE LINES
Six at the beginning means:
The bird meets with misfortune through flying.
A bird ought to remain in the nest until it is fledged. If it tries to fly before
this, it invites misfortune. Extraordinary measures should be resorted to only
when all else fails. At first we ought to put up with traditional ways as long
as possible; otherwise we exhaust ourselves and our energy and still achieve
nothing.
° Six in the second place means:
She passes by her ancestor
And meets her ancestress.
He does not reach his prince
And meets the official.
No blame.
Two exceptional situations are instanced here. In the temple of ancestors,
where alternation of generations prevails, the grandson stands on the same
side as the grandfather. Hence his closest relations are with the grandfather.
The present line designates the grandson's wife, who during the sacrifice
passes by the ancestor and goes toward the ancestress. This unusual behavior
is, however, an expression of her modesty. She ventures rather to approach
the ancestress, for she feels related to her by their common sex. Hence here
deviation from the rule is not a mistake.
Another image is that of the official who, in compliance with regulation,
first seeks an audience with his prince. If he is not successful in this, he does
not try to force anything but goes about conscientious fulfillment of his duty,
taking his place among the other officials. This extraordinary restraint is
likewise not a mistake in exceptional times. (The rule is that every official
should first have an audience with the prince by whom he is appointed. Here
the appointment is made by the minister.)
Nine in the third place means:
If one is not extremely careful,
Somebody may come up from behind and strike him.
Misfortune.
At certain times extraordinary caution is absolutely necessary. But it is just in
such life situations that we find upright and strong personalities who,
conscious of being in the right, disdain to hold themselves on guard, because
they consider it petty. Instead, they go their way proud and unconcerned. But
this self-confidence deludes them. There are dangers lurking for which they
are unprepared. Yet such danger is not unavoidable; one can escape it if he
understands that the time demands that he pay especial attention to small
and insignificant thing.
Nine in the fourth place means:
No blame. He meets him without passing by.
Going brings danger. One must be on guard.
Do not act. Be constantly persevering.
Hardness of character is tempered by yielding position so that no mistakes are
made. The situation here calls for extreme caution; one must make no
attempt of one's own initiative to reach the desired end. And if one were to
go on, endeavoring one must be on guard and not act but continue inwardly
to persevere.
° Six in the fifth place means:
Dense clouds,
No rain from our western territory.
The prince shoots and hits him who is in the cave.
As a high place is pictured here, the image of a flying bird has become that of
flying clouds. But dense as the clouds are, they race across the sky and give
no rain. Similarly, in exceptional times there may be a born ruler who is
qualified to set the world in order, but who cannot achieve anything or confer
blessing on the people because he stands alone and has no helpers. Is such
times a man must seek out helpers with whose aid he can carry out the task.
But these helpers must be modestly sought out in the retirement to which
they have withdrawn. It is not in the fame nor their great names but their
genuine achievements that are important. Through such modesty the right
man is found, and the exceptional task is carried out in spite of all difficulties.
Six at the top means:
He passes him by, not meeting him.
The flying bird leaves him.
Misfortune.
This means bad luck and injury.
If one overshoots the goal, one cannot hit it. If a bird will not come to its nest
but flies higher and higher, it eventually falls into the hunter's net. He who
in times of extraordinary salience of small things does not know how to call a
halt, but restlessly seeks to press on and on, draws upon himself misfortune
at the hands of gods and men, because he deviates from the order of nature.
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39. Chien / Obstruction
above K'AN THE ABYSMAL, WATER
below KÊN KEEPING STILL, MOUNTAIN
The hexagram pictures a dangerous abyss lying before us and a steep,
inaccessible mountain rising behind us. We are surrounded by obstacles; at
the same time, since the mountain has the attribute of keeping still, there is
implicit a hint as to how we can extricate ourselves. The hexagram represents
obstructions that appear in the course of time but that can and should be
overcome. Therefore all the instruction given is directed to overcoming
them.
THE JUDGMENT
OBSTRUCTION. The southwest furthers.
The northeast does not further.
It furthers one to see the great man.
Perseverance brings good fortune.
The southwest is the region of retreat, the northeast that of advance. Here an
individual is confronted by obstacles that cannot be overcome directly. In
such a situation it is wise to pause in view of the danger and to retreat.
However, this is merely a preparation for overcoming the obstructions. One
must join forces with friends of like mind and put himself under the
leadership of a man equal to the situation: then one will succeed in
removing the obstacles. This requires the will to persevere just when one
apparently must do something that leads away from his goal. This
unswerving inner purpose brings good fortune in the end. An obstruction
that lasts only for a time is useful for self-development. This is the value of
adversity.
THE IMAGE
Water on the mountain:
The image of OBSTRUCTION.
Thus the superior man turns his attention to himself
And molds his character.
Difficulties and obstructions throw a man back upon himself. While the
inferior man seeks to put the blame on other persons, bewailing his fate, the
superior man seeks the error within himself, and through this introspection
the external obstacle becomes for him an occasion for inner enrichment and
education.
THE LINES
Six at the beginning means:
Going leads to obstructions,
Coming meets with praise.
When one encounters an obstruction, the important thing is to reflect on
how best to deal with it. When threatened with danger, one should not strive
blindly to go ahead, for this only leads to complications. The correct thing is,
on the contrary, to retreat for the time being, not in order to give up the
struggle but to await the right moment for action.
Six in the second place means:
The King's servant is beset by obstruction upon obstruction,
But it is not his own fault.
Ordinarily it is best to go around an obstacle and try to overcome it along the
line of least resistance. But there is one instance in which a man must go out
to meet the trouble, even though difficulty piles upon difficulty: this is when
the path of duty leads directly to it-in other words, when he cannot act of his
own volition but is duty bound to go and seek out danger in the service of a
higher cause. Then he may do it without compunction, because it is not
through any fault of his that he is putting himself in this difficult situation.
Nine in the third place means:
Going leads to obstructions;
Hence he comes back.
While the preceding line shows the official compelled by duty to follow the
way of danger, this line shows the man who must act as father of a family or
as head of his kin. If he were to plunge recklessly in to danger, it would be a
useless act, because those entrusted to his care cannot get along by themselves.
But if he withdraws and turns back to his own, they welcome him with great
joy.
Six in the fourth place means:
Going leads to obstructions,
Coming leads to union.
This too describes a situation that cannot be managed single-handed. In such
a case the direct way is not the shortest. If a person were to forge ahead on his
own strength and without the necessary preparations, he would not find the
support he needs and would realize too late that he has been mistaken in his
calculations, inasmuch as the conditions on which he hoped he could rely
would prove to be inadequate. In this case it is better, therefore, to hold back
for the time being and to gather together trustworthy companions who can be
counted upon for help in overcoming the obstructions.
° Nine in the fifth place means:
In the midst of the greatest obstructions,
Friends come.
Here we see a man who is called to help in an emergency. He should not seek
to evade the obstructions, no matter how dangerously they pile up before
him. But because he is really called to the task, the power of his spirit is strong
enough to attract helpers whom he can effectively organize, so that through
the well-directed co-operation of all participants the obstruction is overcome.
Six at the top means:
Going leads to obstructions,
Coming leads to great good fortune.
It furthers one to see the great man.
This refers to a man who has already left the world and its tumult behind
him. When the time of obstructions arrives, it might seem that the simplest
thing for him to do would be to turn his back upon the world and take refuge
in the beyond. But this road is barred to him. He must not seek his own
salvation and abandon the world to its adversity. Duty calls him back once
more into the turmoil of life. Precisely because of his experience and inner
freedom, he is able to create something both great and complete that brings
good fortune. And it is favorable to see the great man in alliance with whom
one can achieve the work of rescue.
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52. Kên / Keeping Still, Mountain
above KÊN KEEPING STILL, MOUNTAIN
below KÊN KEEPING STILL, MOUNTAIN
The image of this hexagram is the mountain, the youngest son of heaven and
earth. The male principle is at the top because it strives upward by nature; the
female principle is below, since the direction of its movement has come to its
normal end.
In its application to man, the hexagram turns upon the problem of
achieving a quiet heart. It is very difficult to bring quiet to the heart. While
Buddhism strives for rest through an ebbing away of all movement in
nirvana, the Book of Changes holds that rest is merely a state of polarity that
always posits movement as its complement. Possibly the words of the text
embody directions for the practice of yoga.
THE JUDGMENT
KEEPING STILL. Keeping his back still
So that he no longer feels his body.
He goes into his courtyard
And does not see his people.
No blame.
True quiet means keeping still when the time has come to keep still, and
going forward when the time has come to go forward. In this way rest and
movement are in agreement with the demands of the time, and thus there is
light in life.
The hexagram signifies the end and the beginning of all movement. The
back is named because in the back are located all the nerve fibers that mediate
movement. If the movement of these spinal nerves is brought to a standstill,
the ego, with its restlessness, disappears as it were. When a man has thus
become calm, he may turn to the outside world. He no longer sees in it the
struggle and tumult of individual beings, and therefore he has that true peace
of mind which is needed for understanding the great laws of the universe
and for acting in harmony with them. Whoever acts from these deep levels
makes no mistakes.
THE IMAGE
Mountains standing close together:
The image of KEEPING STILL.
Thus the superior man
Does not permit his thoughts
To go beyond his situation.
The heart thinks constantly. This cannot be changed, but the movements of
the heart-that is, a man's thoughts-should restrict themselves to the
immediate situation. All thinking that goes beyond this only makes the heart
sore.
THE LINES
Six at the beginning means:
Keeping his toes still.
No blame.
Continued perseverance furthers.
Keeping the toes still means halting before one has even begun to move. The
beginning is the time of few mistakes. At that time one is still in harmony
with primal innocence. Not yet influenced by obscuring interests and desires,
one sees things intuitively as they really are. A man who halts at the
beginning, so long as he has not yet abandoned the truth, finds the right way.
But persisting firmness is needed to keep one from drifting irresolutely.
Six in e second place means:
Keeping his calves still.
He cannot rescue him whom he follows.
His heart is not glad.
The leg cannot move independently; it depends on the movement of the
body. If a leg is suddenly stopped while the whole body is in vigorous
motion, the continuing body movement will make one fall.
The same is true of a man who serves a master stronger than himself. He is
swept along, and even though he may himself halt on the path of
wrongdoing, he can no longer check the other in his powerful movement.
Where the master presses forward, the servant, no matter how good his
intentions, cannot save him.
Nine in the third place means:
Keeping his hips still.
Making his sacrum stiff.
Dangerous. The heart suffocates.
This refers to enforced quiet. The restless heart is to be subdued by forcible
means. But fire when it is smothered changes into acrid smoke that
suffocates as it spreads.
Therefore, in exercises in meditation and concentration, one ought not to
try to force results. Rather, calmness must develop naturally out of a state of
inner composure. If one tries to induce calmness by means of artificial
rigidity, meditation will lead to very unwholesome results.
Six in the fourth place means:
Keeping his trunk still.
No blame.
As has been pointed out above in the comment on the Judgment, keeping the
back at rest means forgetting the ego. This is the highest stage of rest. Here
this stage has not yet been reached: the individual in this instance, though
able to keep the ego, with its thoughts and impulses, in a state of rest, is not
yet quite liberated from its dominance. Nonetheless, keeping the heart at rest
is an important function, leading in the end to the complete elimination of
egotistic drives. Even though at this point one does not yet remain free from
all the dangers of doubt and unrest, this frame of mind is not a mistake, as it
leads ultimately to that other, higher level.
Six in the fifth place means:
Keeping his jaws still.
The words have order.
Remorse disappears.
A man in a dangerous situation, especially when he is not adequate to it, is
inclined to be very free with talk and presumptuous jokes. But injudicious
speech easily leads to situations that subsequently give much cause for regret.
However, if a man is reserved in speech, his words take ever more definite
form, and every occasion for regret vanishes.
° Nine at the top means:
Noblehearted keeping still.
Good fortune.
This marks the consummation of the effort to attain tranquillity. One is at
rest, not merely in a small, circumscribed way in regard to matters of detail,
but one has also a general resignation in regard to life as a whole, and this
confers peace and good fortune in relation to every individual matter.
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15. Ch'ien / Modesty
above K'UN THE RECEPTIVE, EARTH
below KEN KEEPING STILL, MOUNTAIN
This hexagram is made up of the trigrams Kên, Keeping Still, mountain, and
K'un. The mountain is the youngest son of the Creative, the representative
of heaven and earth. It dispenses the blessings of heaven, the clouds and rain
that gather round its summit, and thereafter shines forth radiant with
heavenly light. This shows what modesty is and how it functions in great
and strong men. K'un, the earth, stands above. Lowliness is a quality of the
earth: this is the very reason why it appears in this hexagram as exalted, by
being placed above the mountain. This shows how modesty functions in
lowly, simple people: they are lifted up by it.
THE JUDGMENT
MODESTY creates success.
The superior man carries things through.
It is the law of heaven to make fullness empty and to make full what is
modest; when the sun is at its zenith, it must, according to the law of heaven,
turn toward its setting, and at its nadir it rises toward a new dawn. In
obedience to the same law, the moon when it is full begins to wane, and
when empty of light it waxes again. This heavenly law works itself out in the
fates of men also. It is the law of earth to alter the full and to contribute to the
modest. High mountains are worn down by the waters, and the valleys are
filled up. It is the law of fate to undermine what is full and to prosper the
modest. And men also hate fullness and love the modest.
The destinies of men are subject to immutable laws that must fulfill
themselves. But man has it in his power to shape his fate, according as his
behavior exposes him to the influence of benevolent or of destructive forces.
When a man holds a high position and is nevertheless modest, he shines
with the light of wisdom; if he is in a lowly position and is modest, he cannot
be passed by. Thus the superior man can carry out his work to the end
without boasting of what he has achieved.
THE IMAGE
Within the earth, a mountain:
The image of MODESTY.
Thus the superior man reduces that which is too much,
And augments that which is too little.
He weighs things and makes them equal.
The wealth of the earth in which a mountain is hidden is not visible to the
eye, because the depths are offset by the height of the mountain. Thus high
and low complement each other and the result is the plain. Here an effect that
it took a long time to achieve, but that in the end seems easy of
accomplishment and self-evident, is used as the image of modesty. The
superior man does the same thing when he establishes order in the world; he
equalizes the extremes that are the source of social discontent and thereby
creates just and equable conditions.
THE LINES
Six at the beginning means:
A superior man modest about his modesty
May cross the great water.
Good fortune.
A dangerous enterprise, such as the crossing of a great stream, is made much
more difficult if many claims and considerations have to be taken into
account. On the other hand, the task is easy if it is attended to quickly and
simply. Therefore the unassuming attitude of mind that goes with modesty
fits a man to accomplish even difficult undertakings: he imposes no
demands or stipulations but settles matters easily and quickly. Where no
claims are put forward, no resistances arise.
Six in the second place means:
Modesty that comes to expression. Perseverance brings good fortune.
"Out of the fullness of the heart the mouth speaketh." When a man's
attitude of mind is so modest that this expresses itself in his outward
behavior, it is a source of good fortune to him. For the possibility of exerting
a lasting influence arises of itself and no one can interfere.
°Nine in the third place means:
A superior man of modesty and merit
Carries things to conclusion.
Good fortune.
This is the center of the hexagram, where its secret is disclosed. A
distinguished name is readily earned by great achievements. If a man allows
himself to be dazzled by fame, he will soon be criticized, and difficulties will
arise. If, on the contrary, he remains modest despite his merit, he makes
himself beloved and wins the support necessary for carrying his work
through to the end.
Six in the fourth place means:
Nothing that would not further modesty
In movement.
Everything has its proper measure. Even modesty in behavior can be carried
too far. Here, however, it is appropriate, because the place between a worthy
helper below and a kindly ruler above carries great responsibility. The
confidence of the man in superior place must not be abused nor the merits of
the man in inferior placed concealed. There are officials who indeed do not
strive for prominence; they hide behind the letter of ordinances, decline all
responsibility, accept pay without giving its equivalent in work, and bear
empty titles. This is the opposite of what is meant here by modesty. In such a
position, modesty is shown by interest in one's work.
Six in the fifth place means:
No boasting of wealth before one's neighbor.
It is favorable to attack with force.
Nothing that would not further.
Modesty is not to be confused with weak good nature that lets things take
their own course. When a man holds a responsible position, he must at times
resort to energetic measures. In doing so he must not try to make an
impression by boasting of his superiority but must make certain of the people
around him. The measures taken should be purely objective and in no way
personally offensive. Thus modesty manifests itself even in severity.
Six at the top means:
Modesty that comes to expression.
It is favorable to set armies marching
To chastise one's own city and one's country.
A person who is really sincere in his modesty must make it show in reality.
He must proceed with great energy in this. When enmity arises nothing is
easier than to lay the blame on another. A weak man takes offense perhaps,
and draws back, feeling self-pity; he thinks that it is modesty that keeps him
from defending himself. Genuine modesty sets one to creating order and
inspires one to begin by disciplining one's own ego and one's immediate
circle. Only through having the courage to marshal one's armies against
oneself, will something forceful really be achieved.
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53. Chien / Development (Gradual Progress)
above SUN THE GENTLE, WIND, WOOD
below KÊN KEEPING STILL, MOUNTAIN
This hexagram is made up of Sun (wood, penetration) above, i.e., without,
and Kên (mountain, stillness) below, i.e., within. A tree on a mountain
develops slowly according to the law of its being and consequently stands
firmly rooted. This gives the idea of a development that proceeds gradually,
step by step. The attributes of the trigrams also point to this: within is
tranquillity, which guards against precipitate actions, and without is
penetration, which makes development and progress possible.
THE JUDGMENT
DEVELOPMENT. The maiden
Is given in marriage.
Good fortune.
Perseverance furthers.
The development of events that leads to a girl's following a man to his home
proceeds slowly. The various formalities must be disposed of before the
marriage takes place. This principle of gradual development can be applied to
other situations as well; it is always applicable where it is a matter of correct
relationships of co-operation, as for instance in the appointment of an official.
The development must be allowed to take its proper course. Hasty action
would not be wise. This is also true, finally, of any effort to exert influence on
others, for here too the essential factor is a correct way of development
through cultivation of one's own personality. No influence such as that
exerted by agitators has a lasting effect.
Within the personality too, development must follow the same course if
lasting results are to be achieved. Gentleness that is adaptable, but at the same
time penetrating, is the outer form that should proceed from inner calm.
The very gradualness of the development makes it necessary to have
perseverance, for perseverance alone prevents slow progress from dwindling
to nothing.
THE IMAGE
On the mountain, a tree:
The image of DEVELOPMENT.
Thus the superior man abides in dignity and virtue,
In order to improve the mores.
The tree on the mountain is visible from afar, and its development
influences the landscape of the entire region. It does not shoot up like a
swamp plant; its growth proceeds gradually. Thus also the work of
influencing people can be only gradual. No sudden influence or awakening
is of lasting effect. Progress must be quite gradual, and in order to obtain such
progress in public opinion and in the mores of the people, it is necessary for
the personality to acquire influence and weight. This comes about through
careful and constant work on one's own moral development.
THE LINES
Six at the beginning means:
The wild goose gradually draws near the shore.
The young son is in danger.
There is talk. No blame.
All the individual lines in this hexagram symbolize the gradual flight of the
wild goose. The wild goose is the symbol of conjugal fidelity, because it is
believed that this bird never takes another mate after the death of the first.
The initial line suggests the first resting place in the flight of water birds
from the water to the heights. The shore is reached. The situation is that of a
lonely young man who is just starting out to make his way in life. Since no
one comes to help him, his first steps are slow and hesitant, and he is
surrounded by danger. Naturally he is subjected to much criticism. But these
very difficulties keep him from being too hasty, and his progress is successful.
° Six in the second place means:
The wild goose gradually draws near the cliff.
Eating and drinking in peace and concord.
Good fortune.
The cliff is a safe place on shore. The development has gone a step further.
The initial insecurity has been overcome, and a safe position in life has been
found, giving one enough to live on. This first success, opening up a path to
activity, brings a certain joyousness of mood, and one goes to meet the future
reassured.
It is said of the wild goose that it calls to its comrades whenever it finds
food; this is the symbol of peace and concord in good fortune. A man does
not want to keep his good luck for himself only, but is ready to share it with
others.
Nine in the third place means:
The wild goose gradually draws near the plateau.
The man goes forth and does not return.
The woman carries a child but does not bring it forth.
Misfortune.
It furthers one to fight off robbers.
The high plateau is dry and unsuitable for the wild goose. If it goes there, it
has lost its way and gone too far. This is contrary to the law of development.
It is the same in human life. If we do not let things develop quietly but
plunge of our own choice too rashly into a struggle, misfortune results. A
man jeopardizes his own life, and his family perishes thereby. However, this
is not all necessary; it is only the result of transgressing the law of natural
development. If one does not willfully provoke a conflict, but confines
himself to vigorously maintaining his own position and to warding off
unjustified attacks, all goes well.
Six in the fourth place means:
The wild goose goes gradually draws near the tree.
Perhaps it will find a flat branch. No blame.
A tree is not a suitable place for a wild goose. But if it is clever, it will find a
flat branch on which it can get a footing. A man's life too, in the course of its
development, often brings him into inappropriate situations, in which he
finds it difficult to hold his own without danger. Then it is important to be
sensible and yielding. This enables him to discover a safe place in which life
can go on, although he may be surrounded by danger.
° Nine in the fifth place means:
The wild goose gradually draws near the summit.
For three years the woman has no child.
In the end nothing can hinder her.
Good fortune.
The summit is a high place. In a high position one easily becomes isolated.
One is misjudged by the very person on whom one is dependent-the woman
by her husband, the official by his superior. This is the work of deceitful
persons who have wormed their way in. The result is that relationships
remain sterile, and nothing is accomplished. But in the course of further
development, such misunderstandings are cleared away, and reconciliation is
achieved after all.
Nine at the top means:
The wild goose gradually draws near the clouds heights.
Its feathers can be used for the sacred dance.
Good fortune.
Here life comes to its end. A man's work stands completed. The path rises
high toward heaven, like the flight of wild geese when they have left the
earth far behind. There they fly, keeping to the order of their flight in strict
formation. And if their feathers fall, they can serve as ornaments in the
sacred dance pantomimes performed in the temples. Thus the life of a man
who has perfected himself is a bright light for the people of earth, who look
up to him as an example.
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56. Lü / The Wanderer
above LI THE CLINGING, FIRE
below KÊN KEEPING STILL, MOUNTAIN
the mountain, Kên, stands still; above it fire, Li, flames up and does not tarry.
Therefore the two trigrams do not stay together. Strange lands and separation
are the wanderer's lot. When a man is a wanderer and stranger, he should
not be gruff nor overbearing. He has no large circle of acquaintances,
therefore he should not give himself airs. He must be cautious and reserved;
in this way he protects himself from evil. If he is obliging toward others, he
wins success.
A wanderer has no fixed abode; his home is the road. Therefore he must
take care to remain upright and steadfast, so that he sojourns only in the
proper places, associating only with good people. Then he has good fortune
and can go his way unmolested.
THE IMAGE
Fire on the mountain:
The image of THE WANDERER.
Thus the superior man
Is clear-minded and cautious
In imposing penalties,
And protracts no lawsuits.
When grass on a mountain takes fire, there is bright light. However, the fire
does not linger in one place, but travels on to new fuel. It is a phenomenon
of short duration. This is what penalties and lawsuits should be like. They
should be a quickly passing matter, and must not be dragged out indefinitely.
Prisons ought to be places where people are lodged only temporarily, as guests
are. They must not become dwelling places.
THE LINES
Six at the beginning means:
If the wanderer busies himself with trivial things,
He draws down misfortune upon himself.
A wanderer should not demean himself or busy himself with inferior things
he meets with along the way. The humbler and more defenseless his
outward position, the more should he preserve his inner dignity. For a
stranger is mistaken if he hopes to find a friendly reception through lending
himself to jokes and buffoonery. The result will be only contempt and
insulting treatment.
Six in the second place means:
The wanderer comes to an inn.
He has his property with him.
He wins the steadfastness of a young servant.
The wanderer her described is modest and reserved. He does not lose touch
with his inner being, hence he finds a resting place. In the outside world he
does not lose the liking of other people, hence all persons further him, so that
he can acquire property. Moreover, he wins the allegiance of a faithful and
trustworthy servant -- a thing of inestimable value to a wanderer.
Nine in the third place means:
The wanderer's inn burns down.
He loses the steadfastness of his young servant.
Danger.
A truculent stranger does not know how to behave properly. He meddles in
affairs and controversies that do not concern him; thus he loses his resting
place. He treats his servant with aloofness and arrogance; thus he loses the
man's loyalty. When a stranger in a strange land has no one left on whom he
can rely, the situation becomes very dangerous.
Nine in the fourth place means:
The wanderer rests in a shelter.
He obtains his property and an ax.
My heart is not glad.
This describes a wanderer who knows how to limit his desires outwardly,
though he is inwardly strong and aspiring. Therefore he finds at least a place
of shelter in which he can stay. He also succeeds in acquiring property, but
even with this he is not secure. He must be always on guard, ready to defend
himself with arms. Hence he is not at ease. He is persistently conscious of
being a stranger in a strange land.
° Six in the fifth place means:
He shoots a pheasant.
It drops with the first arrow.
In the end this brings both praise and office.
Traveling statesman were in the habit of introducing themselves to local
princes with the gift of a pheasant, killing it at the first shot. Thus he finds
friends who praise and recommend him, and in the end the prince accepts
him and confers an office upon him.
Circumstances often cause a man to seek a home in foreign parts. If he
knows how to meet the situation and how to introduce himself in the right
way, he may find a circle of friends and a sphere of activity even in a strange
country.
Nine at the top means:
The bird's nest burns up.
The wanderer laughs at first,
Then must needs lament and weep.
Through carelessness he loses his cow.
Misfortune.
The picture of a bird whose nest burns up indicates loss of one's resting place.
This misfortune may overtake the bird if it is heedless and imprudent when
building its nest. It is the same with a wanderer. If he lets himself go,
laughing and jesting, and forgets that he is a wanderer, he will later have
cause to weep and lament. For if through carelessness a man loses his cow-
i.e., his modesty and adaptability -- evil will result.
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31. Hsien / Influence (Wooing)
above TUI THE JOYOUS, LAKE
below KÊN KEEPING STILL, MOUNTAIN
The name of the hexagram means "universal," "general," and in a figurative
sense "to influence," "to stimulate." The upper trigram is Tui, the Joyous; the
lower is Kên, Keeping still. By its persistent, quiet influence, the lower, rigid
trigram stimulates the upper, weak trigram, which responds to this
stimulation cheerfully and joyously. Kên, the lower trigram, is the youngest
son; the upper, Tui, is the youngest daughter. Thus the universal mutual
attraction between the sexes is represented. In courtship, the masculine
principle must seize the initiative and place itself below the feminine
principle.
Just as the first part of book 1 begins with the hexagrams of heaven and
earth, the foundations of all that exists, the second part begins with the
hexagrams of courtship and marriage, the foundations of all social
relationships.
THE JUDGMENT
Influence. Success.
Perseverance furthers.
To take a maiden to wife brings good fortune.
The weak element is above, the strong below; hence their powers attract each
other, so that they unite. This brings about success, for all success depends on
the effect of mutual attraction. By keeping still within while experiencing joy
without, one can prevent the joy from going to excess and hold it within
proper bounds. This is the meaning of the added admonition, "Perseverance
furthers," for it is perseverance that makes the difference between seduction
and courtship; in the latter the strong man takes a position inferior to that of
the weak girl and shows consideration for her. This attraction between
affinities is a general law of nature. Heaven and earth attract each other and
thus all creatures come into being. Through such attraction the sage
influences men's hearts, and thus the world attains peace. From the
attractions they exert we can learn the nature of all beings in heaven and on
earth.
THE IMAGE
A lake on the mountain:
The image of influence.
Thus the superior man encourages people to approach him
By his readiness to receive them.
A mountain with a lake on its summit is stimulated by the moisture from
the lake. It has this advantage because its summit does not jut out as a peak
but is sunken. The image counsels that the mind should be kept humble and
free, so that it may remain receptive to good advice. People soon give up
counseling a man who thinks that he knows everything better than anyone
else.
THE LINES
Six at the beginning means:
The influence shows itself in the big toe.
A movement, before it is actually carried out, shows itself first in the toes.
The idea of an influence is already present, but is not immediately apparent to
others. As long as the intention has no visible effect, it is of no importance to
the outside world and leads neither to good nor to evil.
Six in the second place means:
The influence shows itself in the calves of the legs.
Misfortune.
Tarrying brings good fortune.
In movement, the calf of the leg follows the foot; by itself it can neither go
forward nor stand still. Since the movement is not self-governed, it bodes ill.
One should wait quietly until one is impelled to action by a real influence.
Then one remains uninjured.
Nine in the third place means:
The influence shows itself in the thighs.
Holds to that which follows it.
To continue is humiliating.
Every mood of the heart influences us to movement. What the heart desires,
the thighs run after without a moment's hesitation; they hold to the heart,
which they follow. In the life of man, however, acting on the spur of every
caprice is wrong and if continued leads to humiliation. Three considerations
suggest themselves here. First, a man should not run precipitately after all the
persons whom he would like to influence, but must be able to hold back
under certain circumstances. As little should he yield immediately to every
whim of those in whose service he stands. Finally, where the moods of his
own heart are concerned, he should never ignore the possibility of inhibition,
for this is the basis of human freedom.
° Nine in the fourth place means:
Perseverance brings good fortune.
Remorse disappears.
If a man is agitated in mind,
And his thoughts go hither and thither,
Only those friends
On whom he fixes his conscious thoughts
Will follow.
Here the place of the heart is reached. The impulse that springs from this
source is the most important of all. It is of particular concern that this
influence be constant and good; then, in spite of the danger arising from the
great susceptibility of the human heart, there will be no cause for remorse.
When the quiet power of a man's own character is at work, the effects
produced are right. All those who are receptive to the vibrations of such a
spirit will then be influenced. Influence over others should not express itself
as a conscious and willed effort to manipulate them. Through practicing such
conscious incitement, one becomes wrought up and is exhausted by the
eternal stress and strain. Moreover, the effects produced are then limited to
those on whom one's thoughts are consciously fixed.
° Nine in the fifth place means:
The influence shows itself in the back of the neck.
No remorse.
The back of the neck is the most rigid part of the body. When the influence
shows itself there, the will remains firm and the influence does not lead to
confusion. Hence remorse does not enter into consideration here. What
takes place in the depths of one's being, in the unconscious mind. It is true
that if we cannot be influenced ourselves, we cannot influence the outside
world.
Six at the top means:
The influence shows itself in the jaws, cheeks, and tongue.
The most superficial way of trying to influence others is through talk that has
nothing real behind it. The influence produced by such mere tongue wagging
must necessarily remain insignificant. Hence no indication is added
regarding good or bad fortune.
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